I will go back and do this over again. I can KEY now in adobe premiere with ULTRA Key plugin and have very good results. However, I still have significant motion blur once my hands are not in front of me but in front of the green screen (as I rarely do this in this video, see the first seconds as I move from the camera into position to get an idea https://www.dropbox.com/s/7dkdgsmcng20516/Project for fxhomer208741.hfp?dl=0). What we were perceiving as motion blur is actually interlaced footage. You can find out more about John on his website and follow his adventures on YouTube. If the final background you will be using has a lot of noise, then I suggest you add noise to your foreground in post-production in order to cleanly key out the green screen. Motion blur in green screen video can be problematic. There are a lot of great editing software and plug-ins out right now that make a horrible looking green screen key out really well. On the other hand, if you shoot the indoor scene at the usual 24fps and 1/50s shutter speed, you’ll have a huge mismatch with the background. It sounds obvious, but you’d be surprised how many people fail to do it correctly. @fxhomer208741 I messed up up your name so the the above tag never reached you, but I am an idiot!!! Also, don’t forget to match the color balance. I use Keylight for keying and the results are OK. Like everything though, shooting it right will save you a lot of time and headaches in post-production. If you want to get involved, click one of these buttons! The raw footage is here: https://1drv.ms/v/s!Atb8ZKvxq_bmhf0QuQ2oB_HRdHmZ6g?e=nA8hQe. I dont use it very often but it surprised me the difference I noticed in the pattern of the coat. Tom shows plenty of examples while listing the things that may go wrong.
@fxhomer298741 I've downloaded the files, but I'll be away most of the day so I hope it is alright for you if I can't get back to you until tonight.
@fxhomer208741 Oh, I didn't think of that. Ohio SBDC – An excellent small business resource, Producing successful videos – 3 major factors to examine. This will help you in post-production when you key out the green screen. I mean, you probably can if you’re a pro, but I am obviously not. I'm reloading the project file to my dropbox with a 2 append behind it for you to download and look at. You might be able to find it as an add-on for Express if you prefer it once you see the difference. Higher shutter speeds will make the actors fingers or their hair looking crisp. Motion blur in green screen video can be problematic.
I believe it is Pro. There are many tips, tricks, and techniques to get green screen shots right. @fxhomer208741 I messed up up your name so the the above tag never reached you, but I am an idiot!!! ... there will be no motion blur. However, it still sometimes looks terrible, even in big-budget movies and TV shows.
The thing is, the camera you use to shoot the subject should more or less match the one that was used to film the background. My favorites are The Foundry’s Keylight plug-in for Adobe After Effects and Red Giant’s Primatte Keyer. What we were perceiving as motion blur is actually interlaced footage. I hope this has been great information for anyone looking to start shooting on green screens. Now, think of the framing. Thank you. But it all looks very nice!!! That will make it very difficult to key out a green screen when you have green noise bouncing around on your image. The three main settings I want to focus on in this blog post are the three exposure settings on all cameras, so lighting is still very crucial. Retirement account options for the self-employed. So, if you just can’t seem to get your green screen shots right – maybe you’re making one of these mistakes. What I particularly like about this video is that Tom lists those situations when you know something is off, but you just can’t your finger on it. Why is it that we can sometimes clearly tell when something was shot in front of a green screen? The next thing you might miss is shutter speed. This blur doesn't appear in the raw footage before removing the green screen. In this video, Tom Scott addresses these problems in an informative, yet highly amusing way. In some cases, this will work too, depending on what you want to achieve. If the outside edge of your foreground is soft, the more it will blend in with the green from the green screen and it will be harder to key out without keying the edges off. If your audience thinks there is something wrong with your scene, they will not pay attention to your video and will be trying to figure out what is wrong the whole time. Really high ISO adds red, green, and blue color grain. I'll export out the clip with it applied so you can see. His videos have over a hundred million views, have been extensively published by news outlets, and has even received recognition from a few film festivals, such as International Ocean Festival, Tom Saimon is a fashion and editorial photographer based in Haifa, Israel. Download this video clip and other motion backgrounds, special effects, After Effects templates and more. For those of you who create videos and are still learning how to use a green screen, I believe this video will be very useful to learn from. Stingers and power cables you can make yourself. Now, there is some motion blur when moving but that is the camera and cannot be corrected to my knowledge but it is slight IMHO. Thanks for the blog. https://www.dropbox.com/s/ghxc8czxxoxrplq/High Pass Shapen Effect added.mp4?dl=0, that suit hasn't looked that good in 20 years.
But can you tell me what about the camera sharpness and saturation? Thank you for sharing such helpful information. The scenes he selected look dreadful: you can tell that they were shot on a green screen, but you can’t clearly tell what’s wrong. If you have an image with a lot of depth of field, you don’t want your actor to have shallow depth of field. The lighting, spacing, and tripod are just as important as the camera to the overall outcome of your green screen. You really want to match both the foreground and the background as much as possible for a more professional looking final scene. Just remember that shutter speed will effect your other exposure settings and that you will have to adjust your iris or your lighting for a properly exposed scene. His work has been commissioned by Adobe, Microsoft, Nike, Samsung, Dell, AVS, Starbucks, Viber, and WeWork.
My DoF was too shallow.
Finally, Tom gives you a piece of advice contradictory to all of the above: don’t try to be convincing. Your audience will probably not notice the difference in depth of field like a professional cinematographer would, but they will notice something is wrong with the scene. Using all three of the exposure settings on your camera correctly will help you. ISO – Keep you ISO or Gain as low as possible to avoid adding grain to your footage.
But there are subtler things such as the lenses you use and the proximity of the camera. The lighting, the spacing, the camera settings, the compression, and even the lens will all effect the quality of the green screen footage you shoot. https://fxhome.com/forum/discussion/53021/greenscreen-quality-advice#latest), https://www.dropbox.com/s/7dkdgsmcng20516/Project for fxhomer208741.hfp?dl=0, https://1drv.ms/v/s!Atb8ZKvxq_bmhf0QuQ2oB_HRdHmZ6g?e=nA8hQe. These settings sometimes add more noise than the ISO.