Ray Wylie Hubbard: “Up Against the Wall, Redneck Mother” The Dallas-raised Hubbard could continue his eclectic work for a hundred more albums and he’d still be known for 1978’s “Redneck Mother” (first recorded by Jerry Jeff Walker in 1973). H-Town’s list is dominated by rap, mostly by artists who came of age in the great boom the city’s scene enjoyed about ten years ago. Its appeal lies not only in the angular melodic lines but also in the marvel of its performance. If you fill out the first name, last name, or agree to terms fields, you will NOT be added to the newsletter list. The rest of the list is a mix of country, H-Town hip-hop, and a sprinkling of norteño.
The strings—and all of Sunny’s lead—are sugary and sentimental but also silky and sincere. Rather than limiting ourselves to songs that are about Texas, we defined a Texas song as any song performed by a Texas artist. to pen the lyrics, but his co-writer Jerry Leiber convinced him to ditch the original first verses in favor of the final version. Two Z-Ro tunes follow, and then there’s more grown-folks music, in Tucka’s “Don’t Make Me Beg,” and the genre is also represented by another Tucka song and a fourth local hit by T.K. Port Arthur-born, Joplin would become the finest white blues singer of her generation.

“grown-folks music”) cheating anthem “My Sidepiece” by the Louisiana Blues Brothas. A teen make-out classic, “Talk to Me” finally took the San Antonio sound way up the pop charts in 1963. He had a singular style that included a booming voice and an expert use of quills, which accentuated his fast, rhythmic high-string strumming. The phrase is a funky way of describing Texas.

The rest of the top ten is split between rap and Texas country.

Tour de Texas, Week 4: Battling High Winds and Exhaustion in the Panhandle. The stories you want, in one weekly newsletter. . ), and then a few works by deceased titans such as Fat Pat (“Tops Drop”), DJ Screw, and Big Moe. Steve Earle: “Billy Austin” Earle has rocked harder, but the Schertz-raised singer never made a more powerful record. Scott Joplin: “Maple Leaf Rag” Ragtime was the harmonic antecedent to jazz, and its greatest composer was Bowie City’s Joplin. Last, we come to the far reaches of the state, El Paso del Norte. Lightnin’ Hopkins: “Short Haired Woman” One of Hopkins’s earliest, 1947’s “Short Haired Woman,” with its refrain “I don’t want no woman/If her hair it ain’t no longer than mine,” is hard country blues, with Hopkins’s trademark grit and sly sense of humor already on display.

Fuller yoked Buddy Holly’s Tex-Mex grooves to a rockabilly attack, an eclectic guitar flash, and vocal harmonies that owed much to the Beatles and early folk rock; he wrapped it in contemporary production and engineering that was all presence. If he can make the 7.5-hour drive by sunrise, he knows he'll be okay.

Bassist Charlie Haden, trumpeter Don Cherry, drummer Billy Higgins, and Coleman find a weightless rhythm and float through the mournful tune without ever bumping into one another. To help you celebrate Texas Independence Day, which is March 2, 1836, the day Texas declared its independence from Mexico, here are seven deep cuts that pay tribute to the Lone Star State.
Unsentimental and moving, this stark 1990 death row portrait asks, “Who are you to say for sure?”. As for the non-natives, they needed to have spent a good part of their career inside the state lines, and their songs had to be a product of their time here or related in some way to the state. Freddy Fender “Wasted Days and Wasted Nights”.

“Day” kicked off what would prove to be an enduring body of work. Wilbert Harrison, a rhythm-and-blues man from Charlotte, landed a Billboard #1 hit record in 1959 with "Kansas City." The song illustrated his hardships and his encyclopedic musical mind.

It was 1966; the Grateful Dead had yet to release an album. It’s still Texas Czech polka’s most enduring anthem.

“Blue Eyes Crying in the Rain,” like the rest of the album, was as full of wide-open space as West Texas itself. Nightcaps: “Wine Wine Wine” Texas’s white-boy blues scene begins here, in 1959, with a Dallas quintet that had a convincingly loose, loping feel on this jivey blues-and-rock standard. They are among the hundreds who have recorded the 1947 anthem of the world’s most influential electric blues guitarist, Linden’s T-Bone Walker.

If you consider that everything from blues to conjunto to jazz to R&B to rock and roll has been made here, the meaning of that phrase can be as expansive as the state itself.

Where all the bravado came from is anybody’s guess. One of Strait's most iconic Texas tunes by far, "All My Exes Live In Texas" was meant mostly to be a tongue-in-cheek tune, but it resonated with a lot of Texas ex-pats. To generate the list, we contacted twenty outside experts—writers, editors, and deejays with an array of tastes—and asked them to send their thirty favorites per our guidelines.

Prague’s Communist-Era Apartments Get a Second Life, Mapping the Disparities That Bred an Unequal Pandemic. Thor Christensen. Or “Wide Open Spaces” by the Dixie Chicks…penned by Texas’ own Susan Gibson.

T-Bone Walker: “West Side Baby” Walker’s precise, cleanly articulated licks and exquisite tone are timeless, and this slow burner from 1947 is all late-night atmosphere, leavened with a dash of humor. The result is a list that reflects everything great about Texas music, from turn-of-the-century pop to nineties rap. Yet in his entire free-ranging repertoire, there’s something about this melodic slice of Louisiana black magic, most of its lines adapted from other songs, that remains irresistibly pure Lightnin’. A master of improvisational, stream-of-consciousness blues, Houston’s Third Ward street poet was the bridge between acoustic and electric, rural and urban. https://www.texasmonthly.com/the-daily-post/spotify-charts-the-favorite-songs-of-texas-cities-it-isnt-surprising-at-all/. Tubb didn’t have much of a voice, but his ebullient charm made up for it. Yup, that’s right. Bemoaning the 1908 flood -- the worst in Dallas history -- "Oak Cliff" T-Bone Walker told the world that the 700-mile-long Trinity River was indeed a mighty force to be reckoned with. For that reason, he wishes both the place and the person were in Tennessee. And as the song says, they probably still don't like Willie Nelson in Buffalo.

It has to have the specific geographical place in the title.


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