"Restless nurses! This opening program samples the astonishing Super-8 work that is being made all around the world and right here in Seattle, featuring films from Argentina, Brazil, Canada, Germany, Greece, Italy, Ireland, the UK and the US. Each Fall, Engauge Experimental Film Festival hosts screenings sponsored by the Interbay Cinema Society in partnership with Northwest Film Forum. It will include special contributions reflecting on aspects of EFS by guest curators Matt Packer, Pluck Projects and Nikola Gocić as well as by international film scholars Adrian Martin, Nadin Mai, Azadeh Jafari, Sebastian Wiedemann and Vahid Mortazavi. Each program in the festival is ticketed individually, $13 General Admission He is the author of NGboo Art blog, co-curator of Kinoskop, an international festival of analogue experimental cinema and audio-visual performance, and a frequent collaborator of Experimental Film Society. always more muted—a useless dialogue… We hate each other, within ourselves and We use cookies to offer you a better browsing experience, analyze site traffic, personalize content, and serve targeted advertisements. Jaki Irvine curated the inaugural exhibition “Somewhere Near Vada” that spread out on the three floors of the new (empty and still unfinished) Project building. Photo by MojuVids. Cookies that are necessary for the site to function properly and required under GDPR. Link: https://www.experimentalfilmsociety.com/, Watch trailer of Luminous Void: Docudrama (2019): https://vimeo.com/365346720, Image: Besides filmmaking O’Neill also curates for cinema and festivals, and has written for film-related publications. “Findley’s plots are difficult to describe: They are driven by equal parts illusionistic film techniques and the filmmaker’s refreshingly untethered imagination. Michael Higgins is a filmmaker best known for his analogue film work. His most recent book is Mysteries of Cinema (University of Western Australia Publishing, 2020), and he regularly appears as an audio commentator for BFI, Arrow, Indicator & Masters of Cinema DVD/Blu-ray releases. All films are shot on Super-8 film and transferred to digital. Our mission is to provide goods and services to filmmakers who work outside of what the … Sexed-up Girl Scout leaders! We are all terribly embarrassed about the the screening-that-almost-was on Valentine's day, so let us make it up to you! Introduction by Todd Rendleman, Director of Film Studies and Professor of Communication at Seattle Pacific University **. Lonely motel managers! $7 NWFF Member.

Menacing, inviting and funny, these adventures of the mind dare the viewer to enter into the realm of dreams.

The festival screens only work that originates on film, by filmmakers both local and international. Vicky Langan is a Cork-based artist whose practice operates across several often overlapping fields, chiefly sound, performance, and film. Zulfikar Filandra is a film and stage director, screenwriter and, more recently, a producer for the company Kolumbija based in Sarajevo.

Several of the films incorporate found footage, manipulated physically or digitally.

Get access to special events, discounts on shows and rentals, and help support the Forum! Maximilian Le Cain is an internationally recognised experimental film artist whose prolific practice explores a personal relationship with cinema as a site of haunting He is closely associated with EFS and frequently works in partnership with Vicky Langan. This year’s festival features films from 20 countries and 11 states: Countries: Argentina, Brazil, Canada, Chile, China, Colombia, Ecuador, France, Germany, Greece, Iran, Ireland, Italy, Paraguay, Russia, South Africa, Switzerland, Taiwan, United Kingdom, United States, States: California, Colorado, Connecticut, Georgia, Florida, Massachusetts, Minnesota, New Mexico, New York, North Carolina, and Washington.

Murnau …Maya Deren …and Jan Svankmajer, you’ll have something of the idea.” – Randy Gragg, The Oregonian. Experimental Film Society (EFS) is an Irish company dedicated to the production and screening of experimental cinema. HOURS FOR JEROME (as in a Book of Hours) was shot from 1966 to 1970 and edited over a two year period ending in July 1982.

He has a dog named Tinto. Produced by Experimental Film Society, Michael Higgins: Autumnal Sleeps, 2019 (still), 75 mins, 35mm, Maximilian Le Cain: Personal Growth, 2019 (still), Super-8 film, 24 mins. His practice includes installation, performance, short film and feature film projects all conceived within the context of an idea of cinema. Several films incorporate found footage and/or home movie footage.

A further two hundred short films will be available to browse at a research station in the gallery, dividing the history of EFS into several themed sections.

Please update your browser. She runs The Art(s) of Slow Cinema blog and is currently working on two monographs on Slow Cinema. Let your creativity run wild, experimentalists! Nadin Mai is a writer and festival programmer for Slow Film Festival. Formed in 2014 by Sarah Kelleher and Rachel Warriner, Pluck Projects work closely with artists to realise ambitious exhibitions of innovative and avant-garde work. This remarkable compilation includes Beyond Kabuki, A Nermish Gothic, Tripletime, Faux Paw and I Am The Night. žmonių. This will give form to the ‘luminous void’ at the heart of the EFS conception of cinema. Photo credit: A Crackpot Crafters performance at The Evergreen State College (2016). She is a regular contributor to CinemaScope and TIFF (Toronto International Film Festival), and writes and translates for Filmkhaneh magazine.

Phone: +353 1 881 9613. She is based in France. Her third and most ambitious theater production, Caryl Churchill’s The Skriker, 2012, —a dance / theater spectacle — won a Seattle Times Footlight award, critical raves, and two nominations from Theatre of Puget Sound’s Gregory Awards. Expanded Cinema Performance with Live Sound Performance takes place at the West Ballroom on the 2nd Floor of Oddfellows Hall (915 E. Pine St., two blocks from NWFF). Public Art in Private Space: Panel Discussions [Online], Cadence: Video Poetry Festival 2020 [Online], Children's Film Festival Seattle 2020 [Online], Social Justice Film Festival 2020 [Online], Nov. 2 from 11am–4pm – Cameraless Filmmaking: Photograms and Ray-o-grams (workshop), Nov. 7 at 7pm – Super-8 Hotel (short film program), Nov. 7 at 9pm – Trapped Ghosts (short film program), Nov. 8 at 7pm – Celluloid Dreams: The Cinema of Janice Findley, Nov. 8 at 9pm – Senses of Time (short film program), Nov. 9 at 4.15pm – Please Step Out of the Frame (short film program), Nov. 9 at 8pm – Closing Night Expanded Cinema Performance and Party.

This year’s … He has always worked entirely away from mainstream conceptions of filmmaking, striving to escape the stereotypes of conventional storytelling. 206 329 2629. You wouldn’t think that a 43-minute experimental film would cause much fuss in mainstream society.

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Engauge Experimental Film Festival is pleased to partner with Northwest Film Forum to present their second cameraless filmmaking workshop. Nikola Gocić is an architect by profession and a film reviewer, comic and collage artist by passion.

Jann Clavadetscher is a Swiss-Irish visual artist/filmmaker who became part of EFS in 2005.

Films about the play of time in filmmaking, including animation and time-lapse techniques.

He lives in São Paulo, where he is researching the intersection of experimental cinema, philosophy and anthropology for the Doctorate in Education at Unicamp-Universidade Estadual de Campinas. A mostly Super-8 program with an edgy vibe. All are shot on Super-8 or 16mm film and transferred to digital. Two former partners are divided ... An early release of a future project from Dead Centre. The exhibition was funded by the Arts Council Of Ireland Project Award (Visual Arts) and supported by the Dublin City Council. Some processes are immediately satisfying, some more gradually, but all can make it to being looped and projected before the workshop lets out. All images are courtesy of the artists and EFS. Vahid Mortazavi is an Iranian film writer, blogger, translator and cinephile based in the USA. We are powered by you, the people. Surgió del antiguo colectivo Experimental Film Society que fue formado y administrado por el fundador y director de la compañía, Rouzbeh Rashidi. And its conception of ‘cinema’ is restlessly multidisciplinary, encompassing installation, performance and sound projects as well as theoretical writing.

Just a friendly reminder that Jean Genet's UN CHANT D'AMOUR has been rescheduled for today, at 4:30pm! Every dollar helps enrich our community. It is an attitude, an aesthetic and a stubbornly independent way of operating in complete freedom at the margins of film culture and at the outer limits of cinematic creativity. We program screenings all semester long, nearly once a week! Northwest Film Forum It was founded in Tehran in the year 2000 by filmmaker Rouzbeh Rashidi who still curates and directs it. An arrangement of images. This illustrated publication will provide a history of EFS and an annotated catalogue of all the films screened during the exhibition. More on this can be found in our cookie policy under functionality and performance cookies: https://projectartscentre.ie/privacy-statement/. He specialises in using experimental techniques within a variety of genres to achieve a dramatic and intimate effect.
These films are shot on Super-8 or 16mm film; each is a reflection on loss, corruption, disappearance, nostalgia, power and change. Experimental Response Cinema is a fiscally sponsored organization of the Austin Film Society.

You will receive a letter acknowledging your gift to the Austin Film Society on behalf on the project. Their feature film Inside (2017) was recently acquired for The Arts Council Collection. The festival screens only work that originates on film, by filmmakers both local and international. 206 329 2629, Javascript is required to view this site.

EFS is a project which brings together filmmakers from all over the world, with a common interest in researching "alternative" cinema. He was one of the international mentors on the What Could / Should Curating Do programme in Belgrade (2018, 2019), and has also written for numerous magazines, journals including Frieze, Kaleidoscope, and Concreta. Today EFS currently represents eight filmmakers: Rashidi, Atoosa Pour Hosseini, Maximilian Le Cain, Vicky Langan, Michael Higgins, Jann Clavadetscher, Chris O’Neill and Shelly Kamiel. Experimental Film Society (EFS) is an Irish company dedicated to the production and screening of experimental cinema. Atoosa Pour Hosseini is a Dublin-based visual artist, filmmaker, member of Temple Bar Gallery + Studios, and co-director of Experimental Film Society.

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